Feb. 19, 2026

A Most Unquenchable Hobbit! - LOTR: An Author's Journey, Bk 3 Ch 11

A Most Unquenchable Hobbit! - LOTR: An Author's Journey, Bk 3 Ch 11
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A Most Unquenchable Hobbit! - LOTR: An Author's Journey, Bk 3 Ch 11

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We are going on an adventure! Love The Lord of the Rings? Why not read along with us as we consider the books from the writer's point of view! Taking it chapter by chapter, novelist Julia Golding will reveal new details that you might not have noticed and techniques that will only go to increase your pleasure in future re-readings of our favourite novel. Julia also brings her expert knowledge of life in Oxford and English culture to explain some points that might have passed you by.

(01:37) Tolkien the tinkerer: Palantír added mid-writing 
(04:22) Leaving Isengard 
(06:20) Merry & Gandalf: humour, recovery, and raising the stakes again 
(12:15) Warning notes and the danger winding up 
(18:24) The Palantír confrontation 
(22:05) Aragorn’s shift, kingship emerging 
(29:30) Saruman’s fatal step 
(34:40) Ending Book Three

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01:37:00 - Tolkien the tinkerer: Palantír added mid-writing

04:22:00 - Leaving Isengard

06:20:00 - Merry & Gandalf: humour, recovery, and raising the stakes again

12:15:00 - Warning notes and the danger winding up

18:24:00 - The Palantír confrontation

22:05:00 - Aragorn’s shift, kingship emerging

29:30:00 - Saruman’s fatal step

34:40:00 - Ending Book Three

100:00:04.620 --> 00:00:06.780Hello and welcome to Mythmakers.200:00:07.320 --> 00:00:12.580Mythmakers is the podcast for fantasy fans and fantasy creatives brought to you300:00:12.580 --> 00:00:14.420by the Oxford Centre for Fantasy.400:00:14.820 --> 00:00:19.900My name is Julia Golding and I have been running a series over the last500:00:19.900 --> 00:00:24.100few months, well actually it's every year now I think, where we have been600:00:24.100 --> 00:00:29.520slowly reading our way through Lord of the Rings and we have reached chapter 11700:00:29.520 --> 00:00:34.760in book three, that's basically halfway through the two towers and that chapter800:00:34.760 --> 00:00:40.680is called the Palantir and we'll be taking a look at it primarily with a900:00:40.680 --> 00:00:44.380view to seeing what Tolkien is doing as an author.1000:00:45.260 --> 00:00:47.600Okay, so first of all, cards on the table.1100:00:47.900 --> 00:00:55.480This particular chapter I find really hard to read and that is because it is1200:00:55.480 --> 00:01:00.940the chapter where Pippin goes and looks in the Palantir, the seeing stone and I1300:01:00.940 --> 00:01:05.340find that a sort of really difficult thing to read or watch is that cringe1400:01:05.340 --> 00:01:10.900factor, the oh don't do it, don't do it thing and that is actually a1500:01:10.900 --> 00:01:12.520sign of powerful writing.1600:01:13.200 --> 00:01:20.120If you have your audience sort of flinching it means that you're really getting1700:01:20.120 --> 00:01:22.500at them so it's both good and painful.1800:01:23.120 --> 00:01:28.320Your plot has to feel as though it's going to fail as in it's not1900:01:28.320 --> 00:01:32.580definitely going to be a happily ever after and this is one of those chapters2000:01:32.580 --> 00:01:36.780where we have a knife edge moment which is very well written.2100:01:37.300 --> 00:01:44.140It's also a chapter which demonstrates the tinkering that Tolkien did.2200:01:44.260 --> 00:01:47.760Now he is a famous tinkerer, I mean the Silmarillion was never finished in his2300:01:47.760 --> 00:01:52.000lifetime because he was always changing things, doing a little bit more here2400:01:52.000 --> 00:01:58.300and there and this chapter shows him tinkering away partly because as we2500:01:58.300 --> 00:02:04.360covered in the previous episode on this, that the idea of the Palantir came to2600:02:04.360 --> 00:02:06.020him as he was writing.2700:02:06.260 --> 00:02:11.320It wasn't something he'd thought through before so it wasn't completely woven2800:02:11.320 --> 00:02:18.520in how he wanted it to be so he went back in later editions and2900:02:18.520 --> 00:02:24.840slightly changed wording to represent the new status that Palantir had.3000:02:25.200 --> 00:02:27.580I'm not going to go into the detail of what he did but if you3100:02:27.580 --> 00:02:31.720have a first edition and you compare it to later editions you'll see there are3200:02:31.720 --> 00:02:36.380slightly different things that Gandalf says and so on.3300:02:36.440 --> 00:02:43.000This is because he didn't quite, I mean it's pretty well woven in but he3400:02:43.000 --> 00:02:48.680felt as though he needed to digest that idea a bit more and it's also3500:02:48.680 --> 00:02:53.980interesting because the Palantir themselves he wrote about in the Unfinished3600:02:53.980 --> 00:02:59.040Tales so you can get some extra information about what he thought about them3700:02:59.040 --> 00:03:03.760later on by looking at the Unfinished Tales so I would recommend if you've got3800:03:03.760 --> 00:03:07.360a copy of the Unfinished Tales, it's only a short bit, go and have a3900:03:07.360 --> 00:03:08.820read of that section.4000:03:09.660 --> 00:03:13.460Okay, so what is the structure of this particular chapter?4100:03:13.780 --> 00:03:20.340It's a series of conversations really and I would say it has the theme of4200:03:20.340 --> 00:03:24.360unquenchable hobbits and curiosity.4300:03:24.880 --> 00:03:29.120That is the thread that everything is strung on.4400:03:30.020 --> 00:03:36.160So we've got a Merry and Gandalf conversation, then a Merry and Pippin and then4500:03:36.160 --> 00:03:44.080in the center there's a Pippin and Sauron conversation, then there's Gandalf4600:03:44.080 --> 00:03:50.600and Pippin and Gandalf and Aragorn and then finally when they're on Shadowfax4700:03:50.600 --> 00:03:55.160there's a Gandalf and Pippin long conversation which is different from all the4800:03:55.160 --> 00:04:00.000others because it gives a bit more about lore and the history of Middle-earth4900:04:00.000 --> 00:04:00.540and so on.5000:04:01.240 --> 00:04:06.180But it's very much lots of information is conveyed in this particular chapter5100:04:06.180 --> 00:04:10.080and of course it falls at the end of Book 3.5200:04:10.360 --> 00:04:16.440So for the organizing principle of Lord of the Rings, it falls halfway because5300:04:16.440 --> 00:04:20.019it's roughly halfway through the story.5400:04:22.330 --> 00:04:28.070So we actually start though, we're still in Isengard, we're about to leave and5500:04:28.070 --> 00:04:32.910we get a last glimpse in this book of Treebeard and the Ents.5600:04:33.470 --> 00:04:41.350And it's interesting here that one of the things Tolkien does is Merry and5700:04:41.350 --> 00:04:45.330Pippin, who are our points of view at this point, they are circling back in5800:04:45.330 --> 00:04:49.270their own minds to the first time they meet Treebeard.5900:04:49.350 --> 00:04:54.810That's quite an elegant way of summing up this episode with the Ents, seeing6000:04:54.810 --> 00:04:59.590him being like an old tree stump, his move from the forest to being on6100:04:59.590 --> 00:05:01.640the doorstep of Orthanc.6200:05:02.700 --> 00:05:06.640And we also get the Ents lined up either side.6300:05:06.760 --> 00:05:09.660Now, I do know I've never noticed this detail before.6400:05:10.020 --> 00:05:12.840I think I've always read past it a little bit too quickly.6500:05:13.740 --> 00:05:17.100But this time, obviously, because I'm doing it for this podcast, I was6600:05:17.100 --> 00:05:18.440thinking, well, what does that look like?6700:05:18.480 --> 00:05:24.840And it made me think that actually they're like an honor guard escorting out6800:05:26.080 --> 00:05:28.240Ferdinand and Gandalf and Aragorn.6900:05:28.780 --> 00:05:31.200But it also is an avenue of trees.7000:05:32.120 --> 00:05:33.700They can be both at the same time.7100:05:33.800 --> 00:05:37.020So it's a rather beautiful picture, which I'm pleased I lingered over this7200:05:37.020 --> 00:05:37.340time.7300:05:38.060 --> 00:05:44.120And it's also a sense that the gardens that used to surround Orthanc are going7400:05:44.120 --> 00:05:49.540to be recreated later on, I believe, towards the end.7500:05:49.980 --> 00:05:54.600Treebeard calls it the Tree Garth of Orthanc, which is a lovely way of saying7600:05:54.600 --> 00:05:57.600it's going to be full of trees and why not an avenue of trees?7700:05:58.880 --> 00:06:04.280And as they leave, the riders get as far as the White Hand, which they7800:06:04.280 --> 00:06:07.480had met on their way in, which has now been destroyed.7900:06:07.820 --> 00:06:12.220And Gandalf sort of sums up this whole episode by saying, the Ents pay8000:06:12.220 --> 00:06:13.880attention to every detail.8100:06:14.100 --> 00:06:19.660They've come out this far and destroyed the last symbol of Saruman's power.8200:06:20.680 --> 00:06:25.480So the next section is Merry and Gandalf riding together and having a8300:06:25.480 --> 00:06:26.220conversation.8400:06:27.000 --> 00:06:31.960And it's mainly the purpose of this conversation is a little bit picking up8500:06:33.200 --> 00:06:38.640from the previous chapter about what Saruman's state of mind might be.8600:06:39.460 --> 00:06:46.020But it is also and introducing this theme of the unquenchable Hobbit.8700:06:47.560 --> 00:06:54.400So Gandalf tells Merry, who makes this comment that he's a ragtag, sort of8800:06:54.400 --> 00:06:58.260riding alongside with Gandalf, which is picking up.8900:06:59.260 --> 00:07:03.100You'll hear the echo from the previous chapter, bringing it forward into here.9000:07:04.000 --> 00:07:10.240And Gandalf says, a sneer from him, Saruman, Merryadoc is a compliment.9100:07:12.560 --> 00:07:19.760And Merry isn't letting this subject rest and he carries on asking questions.9200:07:19.960 --> 00:07:22.980I mean, Gandalf, if you think about it from Gandalf's point of view, he's just9300:07:22.980 --> 00:07:26.900had this big showdown with the former head of his order.9400:07:28.340 --> 00:07:33.400He's broken his staff and he probably wants just to have a quiet think and9500:07:33.400 --> 00:07:35.060Merry is full of questions.9600:07:35.720 --> 00:07:42.240And so in response, we get this very Gandalfian phrase, a most unquenchable9700:07:42.240 --> 00:07:42.780Hobbit.9800:07:43.620 --> 00:07:47.940All wizards should have a Hobbit or two in their care to teach them the9900:07:47.940 --> 00:07:50.020meaning of the word and to correct them.10000:07:50.680 --> 00:07:55.040Now that last bit and to correct them is slightly ambiguous, but I think10100:07:55.040 --> 00:08:02.300because the them isn't clear, but I don't think it's to correct the Hobbits,10200:08:02.640 --> 00:08:03.940though he does do that quite a lot.10300:08:04.200 --> 00:08:09.520I think it's more that the Hobbits correct the wizards when they're being too10400:08:09.520 --> 00:08:11.660wizardly and a bit too big for their boots.10500:08:12.740 --> 00:08:20.940So it's a character note here on Gandalf that even when he's tired and come10600:08:20.940 --> 00:08:26.320out of a major confrontation, he has a sense of humour and he's also doesn't10700:08:26.320 --> 00:08:28.360consider himself infallible.10800:08:28.500 --> 00:08:34.539So we've moved from this heightened confrontation to humour, Gandalf laughs, of10900:08:34.539 --> 00:08:36.740course, warmth and relief.11000:08:38.659 --> 00:08:45.960But also Merry gives the writer here, gives Tolkien as the author, the11100:08:45.960 --> 00:08:53.460curiosity of the Hobbit gives him the chance to regain momentum, so exiting out11200:08:53.460 --> 00:08:57.760of this particular episode.11300:08:58.020 --> 00:09:02.300If you think of someone doing a floor gymnastics display, they do their amazing11400:09:02.300 --> 00:09:06.520flips and they land it, but then they have to move into the next section.11500:09:06.960 --> 00:09:09.140Then we're into that next section here.11600:09:11.000 --> 00:09:16.020And it also gives the, as well as regaining momentum, it also gives Tolkien the11700:09:16.020 --> 00:09:17.720chance to explain the stakes.11800:09:18.600 --> 00:09:22.240In a big complicated book like this, you may know Lord of the Rings so11900:09:22.240 --> 00:09:25.200well, you already understand what the stakes are.12000:09:25.260 --> 00:09:29.060But if you go back to thinking what it was like when you first read12100:09:29.060 --> 00:09:35.360it, it is a complicated story with a number of different battlefronts with a12200:09:35.360 --> 00:09:37.100number of different enemies and so on.12300:09:38.700 --> 00:09:44.700Gandalf explains it to Merry, Merry is basically us, stands for the reader in12400:09:44.700 --> 00:09:46.800this particular set of questions.12500:09:47.680 --> 00:09:52.900And Gandalf says, yes, we have won, but only the first victory, don't put the12600:09:52.900 --> 00:09:54.880book down now, we've got lots more to do.12700:09:55.520 --> 00:09:57.980And that in itself increases our danger.12800:09:59.040 --> 00:10:04.280So remember, always keep the tension, keep raising the tension, you've got to12900:10:04.280 --> 00:10:07.080keep on raising the stakes, raising the tension.13000:10:07.560 --> 00:10:12.300So you may have a little bit of laughter and relief, but the longer perspective13100:10:12.300 --> 00:10:13.620is it's not over.13200:10:14.100 --> 00:10:16.760Otherwise, you'll lose your audience, won't you?13300:10:17.880 --> 00:10:22.440Okay, so Merry is standing in for us, he's giving the author a chance to13400:10:22.440 --> 00:10:25.280reiterate what's exactly at stake.13500:10:26.020 --> 00:10:30.940I want to draw your attention now to one of those lovely little hidden bits13600:10:30.940 --> 00:10:34.140of Tolkien, you know how much I like these, if you've been listening to this.13700:10:34.700 --> 00:10:41.320And that is their campsite, where this incident with the Palantir takes place.13800:10:42.080 --> 00:10:46.860I never really noticed the how specific the details are.13900:10:47.760 --> 00:10:54.320In the film, if you're coming at this from a Peter Jackson version, this14000:10:54.320 --> 00:10:59.340happens in Edoras, in a building, it's probably easier to film.14100:11:00.340 --> 00:11:05.820But actually, isn't it nice to be out in the wild on this journey?14200:11:06.400 --> 00:11:08.760And there's a lovely detail here.14300:11:09.500 --> 00:11:14.900They lit a fire in a hollow, down among the roots were spreading hawthorn, tall14400:11:14.900 --> 00:11:18.780as a tree, rhythm with age, but hail in every limb.14500:11:19.700 --> 00:11:22.980Buds were swelling at each twig's tip.14600:11:23.800 --> 00:11:26.380Buds were swelling at each twig's tip.14700:11:26.880 --> 00:11:27.620Quite hard to say.14800:11:28.300 --> 00:11:31.680But also very specific.14900:11:31.900 --> 00:11:33.920It's a way of telling us where we are in the season.15000:11:34.680 --> 00:11:40.760Hawthorns, for anyone who's not in the UK countryside, are a very common15100:11:40.760 --> 00:11:43.320hedging shrub.15200:11:45.320 --> 00:11:50.320They have spikes on, but they are one of the first shrubs that come into15300:11:50.320 --> 00:11:52.040leaf as spring arrives.15400:11:53.380 --> 00:11:56.560So the hawthorn has leaves first, then flowers.15500:11:56.820 --> 00:11:59.360The blackthorn has flowers first, then leaves.15600:11:59.520 --> 00:12:00.800I bet Tolkien knew the difference.15700:12:01.340 --> 00:12:05.240And here, we've got the buds coming of the future leaves.15800:12:06.040 --> 00:12:07.860Anyway, I like how specific this is.15900:12:07.980 --> 00:12:11.120I can walk around the countryside where I live, spot the hawthorns and think,16000:12:11.240 --> 00:12:13.680yeah, that's the kind of hawthorn they were under.16100:12:14.880 --> 00:12:17.960And then we move into the Merry and Pippin conversation.16200:12:19.180 --> 00:12:22.620So it's like the second movement, really, in this particular chapter.16300:12:24.360 --> 00:12:30.320And note how Tolkien starts to wind up the more immediate danger here.16400:12:30.920 --> 00:12:33.880We've laid the bigger stakes, but there's a new danger, which none of them16500:12:33.880 --> 00:12:37.000expect is about to happen.16600:12:37.340 --> 00:12:41.000Though if you've been reading carefully, you would have picked up some of those16700:12:41.000 --> 00:12:46.960warning notes when Pippin ran to pick up the palantir in that section in the16800:12:46.960 --> 00:12:48.000previous chapter.16900:12:49.080 --> 00:12:53.920And we get it sort of starting here where the sour note comes in.17000:12:54.380 --> 00:12:57.400It would be like a jarring note in a musical theme.17100:12:58.460 --> 00:13:02.180When you're reading this carefully, you can see what's going to happen.17200:13:02.820 --> 00:13:05.860And this is where the cringe factor comes because you're given plenty of time17300:13:05.860 --> 00:13:07.440to anticipate what he's going to do.17400:13:08.480 --> 00:13:12.060And it begins with the prosaic off note of, are you lying on an anthill?17500:13:12.820 --> 00:13:14.520Pippin is restless.17600:13:15.940 --> 00:13:19.720And this section is given mainly from Merry's point of view.17700:13:19.900 --> 00:13:23.540We're still with Merry because Pippin is being secretive.17800:13:24.240 --> 00:13:25.060Never a good sign.17900:13:26.920 --> 00:13:30.980And he's also speaking as close as he ever gets to Gollum.18000:13:31.360 --> 00:13:32.780He says, I picked it up.18100:13:32.900 --> 00:13:33.800I saved it.18200:13:33.880 --> 00:13:34.500Me, me, me.18300:13:35.400 --> 00:13:36.700Another very bad sign.18400:13:37.300 --> 00:13:45.040Merry, who doesn't realize just how serious this is, he tries to turn Pippin18500:13:45.040 --> 00:13:48.620away from those thoughts by mentioning Gildor's saying.18600:13:49.580 --> 00:13:51.580And he also just mentioned Sam here.18700:13:51.740 --> 00:13:54.340Don't forget that this story is really about Frodo and Sam.18800:13:55.280 --> 00:13:59.580He says, Sam used to repeat the saying, do not meddle in the affairs of18900:13:59.580 --> 00:14:03.000wizards, for they are subtle and quick to anger.19000:14:03.880 --> 00:14:08.400We do see a bit of temper from Gandalf, though we see more mercy than19100:14:08.400 --> 00:14:08.800temper.19200:14:09.880 --> 00:14:11.860But still, he's saying, watch out.19300:14:11.960 --> 00:14:15.000This really isn't for a hobbit to meddle in.19400:14:15.520 --> 00:14:23.680Another sign of danger is that Pippin is being, I would say, a little bit19500:14:23.680 --> 00:14:24.060mocking.19600:14:25.000 --> 00:14:29.300He talks about Gandalf being like a hen with an egg.19700:14:29.620 --> 00:14:30.800It's not that funny.19800:14:31.100 --> 00:14:33.860It's sort of funny, but also it's not that funny.19900:14:34.920 --> 00:14:38.440And this doesn't feel like the normal Pippin.20000:14:38.980 --> 00:14:40.780He's not being straightforward.20100:14:40.980 --> 00:14:44.380He hasn't gone up to Gandalf and said, think about the other options.20200:14:44.780 --> 00:14:46.360Can I have another look at that, please?20300:14:46.740 --> 00:14:49.440That would be what a normal Pippin would do.20400:14:49.580 --> 00:14:50.860I really want to know what that's about.20500:14:50.960 --> 00:14:51.680Can you show me?20600:14:52.140 --> 00:14:54.520But no, he is hiding.20700:14:54.840 --> 00:14:57.220And basically, he is sneaking.20800:14:57.900 --> 00:15:00.180Remember that word that comes up later, doesn't it?20900:15:01.020 --> 00:15:03.820Anyway, so Merry goes to sleep without being aware.21000:15:04.280 --> 00:15:08.040And then we switch the point of view to Pippin.21100:15:08.200 --> 00:15:10.000And this is brilliantly painful.21200:15:10.320 --> 00:15:12.360This is why I find it really hard to read.21300:15:13.180 --> 00:15:17.340We get this intriguing image of the sleeping Gandalf, which was actually done21400:15:17.340 --> 00:15:19.320in the film very well by Ian McKellen.21500:15:19.700 --> 00:15:22.480You get the glitter of eyes under his long lashes.21600:15:22.480 --> 00:15:24.680He sleeps with his eyes slightly open.21700:15:26.320 --> 00:15:33.440And Pippin does this sneaky thing of switching a stone for the palantir so that21800:15:33.440 --> 00:15:36.020Gandalf isn't aware that it's gone.21900:15:37.160 --> 00:15:41.540And then he does this self-justification.22000:15:42.020 --> 00:15:43.760He sort of begins to have cold feet.22100:15:43.860 --> 00:15:46.280And then he says, oh, well, I can't put it back now.22200:15:47.100 --> 00:15:50.320I might as well have a look first.22300:15:51.220 --> 00:15:55.400So he's slipping further and further into this sneaky behaviour.22400:15:56.460 --> 00:15:58.400And then the point of view shifts.22500:15:59.540 --> 00:16:02.260So we do have, this is a third-person narration.22600:16:02.460 --> 00:16:05.680And in third-person narration, you can sort of skim in and out of various22700:16:05.680 --> 00:16:05.900things.22800:16:06.020 --> 00:16:09.580It's very hard to do well, by the way, not the easiest stance to take22900:16:09.580 --> 00:16:15.680if you're writing your first novel, because the rules are a bit loose.23000:16:16.460 --> 00:16:21.440But here we move from it being sort of Pippin talking to looking at him23100:16:21.440 --> 00:16:22.320from the outside.23200:16:22.540 --> 00:16:24.540And I was thinking, well, what point of view do we have?23300:16:24.640 --> 00:16:29.260In a way, it's almost as though the moon is the point of view, because23400:16:29.260 --> 00:16:34.400one of the last images we get is the moon looking over at Pippin and23500:16:34.400 --> 00:16:35.640he's shown by moonlight.23600:16:35.640 --> 00:16:37.880But it's probably more the narrator.23700:16:38.840 --> 00:16:43.360It's kind of, we are like the moon looking down with the narrator on Pippin.23800:16:43.900 --> 00:16:49.220He bent low over it, it being the palantir, looking like a greedy child23900:16:49.220 --> 00:16:53.900stooping over a bowl of food in a corner away from others.24000:16:54.820 --> 00:16:55.720Pippin is boyish.24100:16:55.760 --> 00:16:58.960He's one of the youngest in the company, if not the youngest.24200:16:59.540 --> 00:17:02.620But this isn't a good image of childhood.24300:17:02.820 --> 00:17:07.440It is greed, that sort of classic greed.24400:17:08.880 --> 00:17:14.520And the thing that you've gone away, you've hidden your secret stash, all of24500:17:14.520 --> 00:17:17.660these things are massive red warning lights.24600:17:19.119 --> 00:17:21.180We're outside his experience.24700:17:21.760 --> 00:17:23.480So we're watching him do this.24800:17:23.800 --> 00:17:28.240We don't know what he did when he looked into the stone.24900:17:28.340 --> 00:17:29.920We only see his reactions.25000:17:30.680 --> 00:17:34.980And this is that technique, you hold back the information.25100:17:35.880 --> 00:17:39.160And we don't find out until he confesses.25200:17:39.980 --> 00:17:42.140So we keep the tension going.25300:17:42.360 --> 00:17:46.960Has he basically said, watch out, Sauron, you've got a ring bearer coming25400:17:46.960 --> 00:17:47.480towards you?25500:17:47.560 --> 00:17:48.280Has he said that?25600:17:48.580 --> 00:17:53.060That is all the possibilities, which of course is rushing through Gandalf's25700:17:53.060 --> 00:17:58.400mind when Pippin's sort of cry alerts everybody.25800:17:59.320 --> 00:18:05.040And Gandalf says, the devilry, what mischief has he done to himself and to all25900:18:05.040 --> 00:18:05.500of us?26000:18:05.700 --> 00:18:11.220Which if you hadn't realised as a reader at this point, that there was anything26100:18:11.220 --> 00:18:15.100terribly wrong with what he was doing, though I think you would, this is the26200:18:15.100 --> 00:18:19.420moment when you see actually this quest hangs on the edge of a knife.26300:18:20.400 --> 00:18:22.560It might fall, it might fail.26400:18:24.630 --> 00:18:32.330Then we get the interrogation scene, which is horrific, because if we love26500:18:32.330 --> 00:18:38.830Pippin, as we do by now, he's ventriloquising as if possessed by Sauron.26600:18:39.550 --> 00:18:42.750He says, it is not for you, Saruman.26700:18:43.450 --> 00:18:45.890He's speaking in the voice of Sauron.26800:18:46.330 --> 00:18:55.190In fact, Pippin, in a sense, is the closest any of the companions have got26900:18:55.190 --> 00:18:56.290to Sauron so far.27000:18:56.670 --> 00:19:00.410Clearly Frodo sees him through the ring and the whisperings of the ring and27100:19:00.410 --> 00:19:02.390Aragorn will later look in the same stone.27200:19:03.030 --> 00:19:08.070But Pippin is the first to actually report back, shall we say, what is going27300:19:08.070 --> 00:19:09.110on in Barad-dûr.27400:19:09.770 --> 00:19:11.850So it is a big, big scene.27500:19:12.730 --> 00:19:22.310And notice that Sauron says, to him, a hobbit is it, not a person, just27600:19:22.310 --> 00:19:22.830a thing.27700:19:23.150 --> 00:19:25.750And that is, of course, his attitude to Middle-earth.27800:19:27.370 --> 00:19:33.410And then Pippin snaps back into himself and we know he's back in himself27900:19:33.410 --> 00:19:35.470because he says, Gandalf, forgive me.28000:19:35.710 --> 00:19:39.790The plea for forgiveness is the Pippin voice.28100:19:41.030 --> 00:19:42.270So we don't know.28200:19:42.510 --> 00:19:44.350Remember, we've kept this tension going.28300:19:45.590 --> 00:19:53.890Tolkien's holding back the answers and then Gandalf persuades Pippin to28400:19:53.890 --> 00:19:54.450confess.28500:19:55.170 --> 00:19:59.010And Pippin upburdens himself of his experience.28600:19:59.890 --> 00:20:01.650He explains what he saw.28700:20:02.530 --> 00:20:06.150And then it sort of comes to this culmination of, then he came.28800:20:06.370 --> 00:20:08.350He isn't named, it's italicized.28900:20:09.450 --> 00:20:11.690A bit like Voldemort in Harry Potter.29000:20:12.010 --> 00:20:13.510It's he who will not be named.29100:20:13.590 --> 00:20:15.390He doesn't say Sauron, but he came.29200:20:15.910 --> 00:20:16.430And it took me a while.29300:20:16.530 --> 00:20:19.330I was thinking, well, is this like the chief Nazgûl?29400:20:19.570 --> 00:20:21.210But no, it's happening in Barad-dûr.29500:20:22.070 --> 00:20:25.370Of course, technically, Sauron is disembodied.29600:20:25.530 --> 00:20:30.370But of course, he could project himself in a shape or a form in a29700:20:30.370 --> 00:20:31.250palantir, couldn't he?29800:20:31.330 --> 00:20:33.610So I think it all lines up.29900:20:34.430 --> 00:20:37.410But he's obviously got a voice and he's got a look.30000:20:37.610 --> 00:20:38.490Maybe it's the eye.30100:20:39.870 --> 00:20:46.070So I think we have a sense that the presence of Sauron is what Pippin30200:20:46.070 --> 00:20:47.350is exposed to.30300:20:48.890 --> 00:20:51.870But Sauron is not all-knowing.30400:20:52.050 --> 00:20:53.010He's too greedy.30500:20:53.370 --> 00:20:56.290So he is like the boy crouched over the bowl of food.30600:20:56.430 --> 00:20:58.750He wants to get Pippin for himself.30700:20:59.410 --> 00:21:04.610So he, equally, Saruman and Sauron both are too greedy.30800:21:05.110 --> 00:21:08.690And that is a fatal flaw because he doesn't stop and interrogate Pippin30900:21:08.690 --> 00:21:09.090properly.31000:21:10.050 --> 00:21:13.690He just says, this dainty is for me, not for you, Saruman.31100:21:14.550 --> 00:21:17.270Gandalf is able to see into Pippin's heart.31200:21:17.870 --> 00:21:20.610And he says, he's a fool, but an honest fool.31300:21:20.770 --> 00:21:21.450He remains.31400:21:21.590 --> 00:21:21.990You remain.31500:21:22.210 --> 00:21:24.010And he says, I forgive you.31600:21:24.430 --> 00:21:29.930And he also pretty much immediately says, my dear Hobbit, he's warmer towards31700:21:29.930 --> 00:21:33.350Pippin after this than he has been for a while.31800:21:33.990 --> 00:21:40.770So that shows the mercy that is the response of Gandalf to these situations31900:21:40.770 --> 00:21:43.070where people fail or fail him.32000:21:44.810 --> 00:21:50.930And then we get a reference to the first conversation Gandalf had with Merry.32100:21:51.790 --> 00:21:57.330He says to Aragorn, who's worried about Pippin as well, Hobbits have an amazing32200:21:57.330 --> 00:21:58.770power of recovery.32300:21:59.010 --> 00:22:00.250They are unquenchable.32400:22:02.250 --> 00:22:07.590And we get a small scene here, which is the shift in Aragorn's position.32500:22:08.370 --> 00:22:13.410So if we're thinking about the big character arc of Aragorn, he has been moving32600:22:13.410 --> 00:22:15.250closer and closer to Gondor.32700:22:16.490 --> 00:22:21.370He has declared himself when he arrived in Rohan.32800:22:22.870 --> 00:22:24.730He has presented his sword.32900:22:24.850 --> 00:22:25.990The sword has been in battle.33000:22:26.370 --> 00:22:28.030So he's getting step by step closer.33100:22:29.030 --> 00:22:32.330I note the sword was already there and it does not arrive later as in33200:22:32.330 --> 00:22:33.790the film version of this.33300:22:34.790 --> 00:22:39.370He takes a step towards the return of the king, which is obviously good because33400:22:39.370 --> 00:22:40.510we're at the end of this book.33500:22:41.070 --> 00:22:44.450And the next time he arrives, he's going to be at the beginning of Return33600:22:44.450 --> 00:22:48.250of the King, which is his big moment.33700:22:49.590 --> 00:22:53.470When Gandalf asks him to look after the Palantir, he says it is his by33800:22:53.470 --> 00:22:53.830right.33900:22:54.230 --> 00:22:58.270He's stepping up to become the king of Gondor and Arnor.34000:22:59.610 --> 00:23:01.790And Gandalf recognizes this moment.34100:23:02.010 --> 00:23:03.830He bowed and presented it.34200:23:04.450 --> 00:23:05.870It's a formal moment.34300:23:06.710 --> 00:23:09.650And we have a gear shift, don't we, in their relationship.34400:23:09.830 --> 00:23:12.930They've already been sort of companions on the road, but now it's more like34500:23:12.930 --> 00:23:18.430king's counselor and king, which is how it will be in the war councils going34600:23:18.430 --> 00:23:18.810forward.34700:23:20.150 --> 00:23:24.770And you see the balance in the relationship that Gandalf feels able to counsel34800:23:24.770 --> 00:23:30.650and Aragorn feels able to accept part or some of the counsel.34900:23:32.190 --> 00:23:38.230So when Gandalf says, take care with this, don't rush to use it.35000:23:39.250 --> 00:23:45.530Aragorn says, when have I been hasty or unwary who have waited and prepared for35100:23:45.530 --> 00:23:47.070so many long years?35200:23:48.130 --> 00:23:53.410So he's beginning to say, well, if I'm king, I need to be able to35300:23:53.410 --> 00:23:56.470make these decisions on my own, listening to my counselors.35400:23:56.650 --> 00:23:59.270And you can see this changing at this moment.35500:23:59.550 --> 00:24:02.710It sort of slips by, but I think it is an important moment.35600:24:03.630 --> 00:24:06.830The other thing here is that Gandalf is blaming himself.35700:24:07.930 --> 00:24:16.630Pippin's caused this ruckus, but he admits to Aragorn, he feels he should have35800:24:16.630 --> 00:24:17.850known what was going on.35900:24:19.730 --> 00:24:22.030And Aragorn says something quite interesting here.36000:24:22.030 --> 00:24:26.290I think this is Tolkien talking to himself, answering his own plot point.36100:24:26.970 --> 00:24:31.170At last, we know the link between Isengard and Mordor and how it worked.36200:24:31.610 --> 00:24:35.910It may have been narratively speaking, a question Tolkien had in his back of36300:24:35.910 --> 00:24:36.390his mind.36400:24:37.150 --> 00:24:40.550Remember, he didn't know the Palantir existed until Wormtongue threw it out.36500:24:40.670 --> 00:24:42.190And then he thought, aha, Palantir.36600:24:43.650 --> 00:24:46.450And so he thought, yeah, that will solve this plot problem.36700:24:46.450 --> 00:24:51.730So when you're writing, look out for those moments where you can use a detail36800:24:51.730 --> 00:24:54.470to tie your plot together more elegantly.36900:24:56.270 --> 00:25:00.470And Gandalf goes on to say, it was strangely fortunate he was saved by the37000:25:00.470 --> 00:25:03.730Hobbit, perhaps from looking in himself.37100:25:05.190 --> 00:25:09.630And Aragorn says, well, don't you think it's time you came out of the shadows?37200:25:09.870 --> 00:25:12.450And Gandalf is sort of explaining the strategy.37300:25:12.610 --> 00:25:15.410We have to use this short while of doubt.37400:25:16.170 --> 00:25:17.810We have been too leisurely.37500:25:17.950 --> 00:25:18.550We must move.37600:25:18.870 --> 00:25:19.850We've got to get ahead.37700:25:20.350 --> 00:25:22.910We've got to get in front of the enemy now.37800:25:23.030 --> 00:25:24.910We may capitalize on this victory.37900:25:25.430 --> 00:25:30.250This does feel like the sort of debates that were going on in World War38000:25:30.250 --> 00:25:30.510II.38100:25:30.830 --> 00:25:36.030This is being written in the darkest days of the World War.38200:25:36.710 --> 00:25:41.850And so he would be thinking of the sort of discussions that were going on38300:25:41.850 --> 00:25:47.470in the papers about how to get ahead of the Nazis.38400:25:48.410 --> 00:25:50.490So in a way, it feels very real.38500:25:50.790 --> 00:25:51.950Is this the right thing to do?38600:25:52.030 --> 00:25:53.350Should we show our hand now?38700:25:53.450 --> 00:25:54.790Should we put our forces there?38800:25:55.090 --> 00:25:57.150It has that feeling of reality.38900:25:57.370 --> 00:26:00.330And the best fantasy does feel real, doesn't it?39000:26:00.410 --> 00:26:04.070And I feel this is one of those little discussions where it's not obvious what39100:26:04.070 --> 00:26:04.690they should do.39200:26:05.350 --> 00:26:07.110But he knows that speed is needed.39300:26:08.410 --> 00:26:11.070And the arrival of the Nazgûl confirms that.39400:26:12.270 --> 00:26:16.750An overflight of a Nazgûl heading to Isengard.39500:26:18.290 --> 00:26:23.050And Gandalf said something here, which is quite abrupt and it feels a bit like39600:26:23.050 --> 00:26:24.090it might have made them panic.39700:26:24.250 --> 00:26:28.090But anyway, let not the swift wait for the slow ride.39800:26:28.490 --> 00:26:33.370So off he goes, grabbing Pippin without any of Pippin's stuff.39900:26:34.010 --> 00:26:37.610Gandalf just picks up his own pack and off they go and ride away.40000:26:38.090 --> 00:26:43.190And there's a little tiny little scene here where poor old Mary is grumbling40100:26:43.190 --> 00:26:46.230after the drama being left behind.40200:26:46.410 --> 00:26:50.390And Aragorn says, in his corrective, you might have done worse.40300:26:50.810 --> 00:26:53.370So you point the finger at Pippin, but you might have done worse.40400:26:53.610 --> 00:26:54.170I don't know.40500:26:54.490 --> 00:26:59.670I mean, Mary in some ways has a bit more common sense, doesn't he?40600:26:59.770 --> 00:27:01.730But fair enough, we take the point, Aragorn.40700:27:02.170 --> 00:27:04.750Who knows what we would have done facing the Palantir.40800:27:05.790 --> 00:27:13.610So the last part of this chapter changes gear completely because we get a40900:27:13.610 --> 00:27:15.110moment of peace.41000:27:15.250 --> 00:27:20.410When you've got a character like Gandalf, who feels like a safe haven, if41100:27:20.410 --> 00:27:25.170you're with Gandalf, particularly if you're sitting in front of him in a horse,41200:27:25.250 --> 00:27:28.330it's hard to imagine something bad is going to happen.41300:27:28.470 --> 00:27:32.330It's almost like in the arms of a parent or something for a child.41400:27:32.570 --> 00:27:33.950It's got that feeling of safety.41500:27:34.110 --> 00:27:39.870And there's time here for Pippin to be the unquenchable hobbit and ask the41600:27:39.870 --> 00:27:45.890questions, which are again, the kind of questions we as readers have.41700:27:46.030 --> 00:27:49.830So if you've got questions, don't just sort of information dump.41800:27:50.090 --> 00:27:55.010Make sure they're part of a question and answer session, which is driven by the41900:27:55.010 --> 00:27:55.390plot.42000:27:55.830 --> 00:28:00.150It feels necessary to have this out here and now.42100:28:02.390 --> 00:28:06.150Though we do get a bit more because, of course, Tolkien is fond of his42200:28:06.150 --> 00:28:06.490lore.42300:28:08.210 --> 00:28:12.590It also is a place for Tolkien to get rid of some of the things42400:28:12.590 --> 00:28:13.670that have been bugging him.42500:28:13.890 --> 00:28:18.650We know that he had this rhyme going around in his head, which he didn't42600:28:18.650 --> 00:28:19.470know what it meant.42700:28:20.850 --> 00:28:25.630And here he gets a chance to give an explanation, tall ships and tall kings,42800:28:25.810 --> 00:28:29.790that little six line poem.42900:28:31.170 --> 00:28:38.430And as ever in Tolkien, it links back to the foundational story for Middle43000:28:38.430 --> 00:28:41.810-earth or the men of Middle-earth, which is the fall of Númenor.43100:28:43.290 --> 00:28:45.250Hobbit curiosity drives this chapter.43200:28:45.850 --> 00:28:51.090And we get lots of things said here, which perhaps Pippin himself might not43300:28:51.090 --> 00:28:51.950know much about.43400:28:53.450 --> 00:28:57.430And a bit like a reader reading this for the first time, some of these43500:28:57.430 --> 00:28:58.770names we know nothing about.43600:28:58.870 --> 00:29:00.310The Noldor made them.43700:29:01.330 --> 00:29:03.070That's the High Elves.43800:29:04.090 --> 00:29:09.730So that explains why these Palantir are able to crack the steps, because they43900:29:09.730 --> 00:29:16.350are made by the Elves who were the masters, the master smiths from the depths44000:29:16.350 --> 00:29:16.870of time.44100:29:18.310 --> 00:29:24.470But even there, Gandalf says, but there is nothing that Sauron cannot turn to44200:29:24.470 --> 00:29:29.970evil uses, which is one of the themes, isn't it, of Lord of the Rings.44300:29:30.930 --> 00:29:36.470And it gives Gandalf a chance to review the fall of Saruman.44400:29:37.810 --> 00:29:41.570He talks about how it was the fatal step.44500:29:42.470 --> 00:29:45.930And remember again, it's this image of someone keeping something for44600:29:45.930 --> 00:29:47.510themselves, that greedy child.44700:29:48.290 --> 00:29:49.790That was Saruman too.44800:29:49.870 --> 00:29:51.670He kept it from the White Council.44900:29:52.690 --> 00:30:01.110And it was the step which brought him to fall under the thrall, thralldom of45000:30:01.110 --> 00:30:02.410Sauron.45100:30:03.270 --> 00:30:08.950But Gandalf, though he is obviously merciful when he can be, he also doesn't45200:30:08.950 --> 00:30:10.090hold back.45300:30:10.210 --> 00:30:12.430He says, yet he must bear the blame.45400:30:13.290 --> 00:30:16.250He can't claim to be the victim here.45500:30:16.550 --> 00:30:17.310He had a choice.45600:30:17.370 --> 00:30:19.890He took the choice, which I think is interesting.45700:30:20.050 --> 00:30:23.130And Gandalf is a tough love person.45800:30:24.130 --> 00:30:30.150He goes on to describe the functioning of the stones and how in Saruman's case,45900:30:30.310 --> 00:30:36.130the biters bit the hawk under the eagle's foot, the spider in the steel web.46000:30:36.770 --> 00:30:38.250So Saruman is trapped.46100:30:39.650 --> 00:30:45.970And we also get here, which I love, is a glimpse of Gandalf's mind, because46200:30:45.970 --> 00:30:49.190it gives him a chance to say what he would most like to see.46300:30:49.470 --> 00:30:52.850It reminded me a bit of the Mirror of Erised in Harry Potter, where if46400:30:52.850 --> 00:30:54.530you look in it, you see what you most want to see.46500:30:54.930 --> 00:31:01.110A palantir, what you could see with it, what it could reveal is like that46600:31:01.110 --> 00:31:01.310too.46700:31:01.430 --> 00:31:05.930And it also, of course, reminds us in this world, this fictional world of46800:31:05.930 --> 00:31:07.050Galadriel's mirror as well.46900:31:08.130 --> 00:31:10.230But anyway, Gandalf says, what does he want to see?47000:31:10.230 --> 00:31:14.630He wants to look back to the land where he used to live over in47100:31:14.630 --> 00:31:15.630the Undying West.47200:31:16.430 --> 00:31:20.850And he wants to see the unimaginable hand and mind of Fëanor.47300:31:21.030 --> 00:31:24.810Now, Fëanor is the smith who made the Silmarils.47400:31:25.350 --> 00:31:27.630I think he's a bit evil.47500:31:28.250 --> 00:31:30.870But there's a Blakean power to him, isn't there?47600:31:31.010 --> 00:31:36.370Like a William Blake, the poet, in his famous poem, Tiger, Tiger, burning47700:31:36.370 --> 00:31:38.850bright in the forest of the night.47800:31:39.410 --> 00:31:43.650What immortal hand or eye dare frame thy fearful symmetry?47900:31:44.010 --> 00:31:45.730It's got that kind of power.48000:31:45.950 --> 00:31:49.070There's even some word similarity in that.48100:31:49.170 --> 00:31:55.310So it's a Blakean image of Fëanor who ruined things really for the Elves.48200:31:55.390 --> 00:31:57.010But anyway, that's the Silmarillion.48300:31:58.610 --> 00:32:03.670And going back to the tough love, Gandalf, Pippin begins to excuse himself.48400:32:06.690 --> 00:32:10.250Oh, you had this.48500:32:10.570 --> 00:32:16.170We need to take responsibility for the things we do wrong as adults, as grown48600:32:16.170 --> 00:32:16.430-ups.48700:32:16.830 --> 00:32:18.990There isn't a free pass, but there is mercy.48800:32:19.970 --> 00:32:25.470Even so, though, you can see that Pippin is unquenchable and he's also48900:32:25.470 --> 00:32:31.650fundamentally at ease and trusting Gandalf because there's a lovely joke here49000:32:31.650 --> 00:32:35.770where Gandalf says, oh, you know, surely that's enough questions for tonight.49100:32:36.710 --> 00:32:38.610And Gandalf says, what more do you want to know?49200:32:39.370 --> 00:32:43.490And Pippin says, the names of all the stars and of all living things and49300:32:43.490 --> 00:32:48.410the whole history of Middle-earth and over heaven and of the Sundering Seas,49400:32:49.150 --> 00:32:49.810laughed Pippin.49500:32:50.710 --> 00:32:52.070Of course, what less?49600:32:52.750 --> 00:32:54.750But I am not in a hurry tonight.49700:32:55.070 --> 00:32:57.470So he wants to know that, but not now, Gandalf.49800:32:57.890 --> 00:33:01.710So they have an ease, which is a lovely note to strike in this relationship,49900:33:01.890 --> 00:33:03.530which has been put through this test.50000:33:04.610 --> 00:33:09.670And Gandalf goes on to explain how Sauron is really in a cleft stick.50100:33:10.030 --> 00:33:15.870He will appear a rebel to Sauron because Sauron will assume Pippin or the50200:33:15.870 --> 00:33:22.050Hobbit is in the tower and Sauron is refusing to come and talk to him.50300:33:22.110 --> 00:33:25.570He can't imagine that the Palantir has been thrown out a window.50400:33:25.710 --> 00:33:29.130It's a bit like he can't imagine the ring will be cast into a fire.50500:33:29.230 --> 00:33:32.110It's the same thought here, but it's just in an earlier form of it.50600:33:33.150 --> 00:33:35.470Remember what I said at the beginning about tinkering?50700:33:35.630 --> 00:33:39.770There's one little note here, which is picked up in the Lord of the Rings,50800:33:40.390 --> 00:33:46.970a reader's companion, which is in the lineup, Saruman went and talked to50900:33:46.970 --> 00:33:47.570Théoden.51000:33:48.270 --> 00:33:49.950He mentioned Gimli.51100:33:50.370 --> 00:33:51.390He talked to Gandalf.51200:33:51.470 --> 00:33:53.390He didn't talk to Aragorn.51300:33:53.930 --> 00:33:59.690And I think Tolkien worried that he needed a reason why Saruman doesn't try and51400:33:59.690 --> 00:34:02.070win over the future king of Gondor.51500:34:03.170 --> 00:34:06.790And so he gives this detail here, which is a tinkering detail to make the51600:34:06.790 --> 00:34:11.810plot work, that Aragorn was standing in the armor of Rohan.51700:34:12.969 --> 00:34:19.050So maybe Wormtongue didn't have a chance to tell him that Aragorn was there and51800:34:19.050 --> 00:34:20.570might tell him later.51900:34:21.449 --> 00:34:27.489But it makes sense that Saruman was unaware Aragorn was actually part of the52000:34:27.489 --> 00:34:33.030party standing in front of him, even if Wormtongue had mentioned that this52100:34:33.030 --> 00:34:36.210person had turned up at Edoras earlier.52200:34:36.389 --> 00:34:41.130So that nice tinkering moment, Tolkien's fixing his plot.52300:34:42.429 --> 00:34:46.290So just to wrap up, we're coming to the end of Book Three now.52400:34:46.830 --> 00:34:51.489The note that Gandalf strikes here is the one which keeps the tension going.52500:34:51.650 --> 00:34:56.490He says to Pippin, every stride on Shadowfax bears you nearer to the land of52600:34:56.490 --> 00:34:56.770shadow.52700:34:56.930 --> 00:34:58.430The momentum is going.52800:34:58.810 --> 00:35:00.630We're still getting nearer our goal.52900:35:01.830 --> 00:35:05.690But we're doing it going backwards over the path we've already gone past.53000:35:05.750 --> 00:35:11.030There's a quick nod to the caves that Gimli and Legolas have promised to visit,53100:35:11.190 --> 00:35:12.090that kind of thing.53200:35:12.770 --> 00:35:19.410In the unfinished tales, in the bit about the Palantir I mentioned, Tolkien53300:35:19.410 --> 00:35:22.330explains that Gandalf is actually worrying about Denethor here.53400:35:22.750 --> 00:35:24.750I looked carefully as I was reading it.53500:35:24.810 --> 00:35:29.650He does mention Denethor's name, but it's not something he tells Pippin.53600:35:29.750 --> 00:35:32.390So we don't know as a reader that he's worrying about Denethor.53700:35:32.650 --> 00:35:35.090He's worrying about what happened to these stones.53800:35:36.090 --> 00:35:39.750So it's a hidden message underneath what's going on here.53900:35:40.570 --> 00:35:46.590But Tolkien and that's going to be really the plot lead that will be the54000:35:46.590 --> 00:35:52.350Pippin, Gandalf, Denethor section when we get to Return of the King.54100:35:53.170 --> 00:35:56.410I just want to end on the last paragraph, which I always find a sort54200:35:56.410 --> 00:36:03.050of beautiful way of stilling the motion, like finding the place to call cut in54300:36:03.050 --> 00:36:08.110this book, which is this wonderful moment as Pippin falls asleep.54400:36:08.710 --> 00:36:12.550As he fell slowly into sleep, Pippin had a strange feeling.54500:36:13.150 --> 00:36:18.430He and Gandalf were still as stone, seated upon the statue of a running horse,54600:36:18.950 --> 00:36:23.970while the world rolled away beneath his feet with a great noise of wind.54700:36:25.250 --> 00:36:34.830So it's that moment of stillness, but actually still moving, which ends this54800:36:34.830 --> 00:36:39.690book in a minor key and we're ready to pick up in book four with54900:36:39.690 --> 00:36:41.090Frodo and Sam.55000:36:42.230 --> 00:36:44.410So that will be the next episode.55100:36:44.650 --> 00:36:45.790Thank you very much for listening.55200:36:51.210 --> 00:36:56.050Thanks for listening to Mythmakers Podcast, brought to you by the Oxford55300:36:56.050 --> 00:36:57.210Centre for Fantasy.55400:36:57.810 --> 00:37:01.770Visit OxfordCentreForFantasy.org to join in the fun.55500:37:02.450 --> 00:37:07.870Find out about our online courses, in-person stays in Oxford, plus visit our55600:37:07.870 --> 00:37:09.490shop for great gifts.55700:37:10.170 --> 00:37:14.410Tell a friend and subscribe, wherever you find your favourite podcasts55800:37:14.410 --> 00:37:15.210worldwide.