March 19, 2026

I Know No Other Way - LOTR: An Author's Journey, Bk 4 Ch 3

I Know No Other Way - LOTR: An Author's Journey, Bk 4 Ch 3
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I Know No Other Way - LOTR: An Author's Journey, Bk 4 Ch 3

A Sidecast Episode

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We are going on an adventure! Love The Lord of the Rings? Why not read along with us as we consider the books from the writer's point of view! Taking it chapter by chapter, novelist Julia Golding will reveal new details that you might not have noticed and techniques that will only go to increase your pleasure in future re-readings of our favourite novel. Julia also brings her expert knowledge of life in Oxford and English culture to explain some points that might have passed you by.

(00:00) A Chapter Built Around a Single Decision
(02:00) Why the Black Gate Must Be Impossible to Enter
(05:00) Mordor as a Living Landscape of Evil
(08:00) Frodo’s Resolve and the Stakes of the Quest
(11:00) Writing Into Uncertainty and Finding the Way Forward
(13:30) Trust, Suspicion, and Gollum’s Divided Nature
(17:00) The Hidden Path and Foreshadowing What Lies Ahead
(21:00) Tension, Stillness, and Delaying the Decision
(26:00) Sam’s Perspective and the Power of Small Hope
(29:00) Choosing to Trust Gollum and Moving Forward

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00:00 - A Chapter Built Around a Single Decision

02:00:00 - Why the Black Gate Must Be Impossible to Enter

05:00:00 - Mordor as a Living Landscape of Evil

08:00:00 - Frodo’s Resolve and the Stakes of the Quest

11:00:00 - Writing Into Uncertainty and Finding the Way Forward

13:30:00 - Trust, Suspicion, and Gollum’s Divided Nature

17:00:00 - The Hidden Path and Foreshadowing What Lies Ahead

21:00:00 - Tension, Stillness, and Delaying the Decision

26:00:00 - Sam’s Perspective and the Power of Small Hope

29:00:00 - Choosing to Trust Gollum and Moving Forward

100:00:04.640 --> 00:00:06.840Hello and welcome to Mythmakers.200:00:07.100 --> 00:00:09.980Mythmakers is the podcast for fantasy fans300:00:09.980 --> 00:00:12.560and fantasy creatives brought to you by the400:00:12.560 --> 00:00:14.000Oxford Centre for Fantasy.500:00:14.440 --> 00:00:17.700My name is Julia Golding and I'm continuing600:00:17.700 --> 00:00:21.020our Sidecast series as we read our way700:00:21.020 --> 00:00:23.740through The Lord of the Rings, taking a800:00:23.740 --> 00:00:25.720look at it from an author's point of900:00:25.720 --> 00:00:25.900view.1000:00:26.480 --> 00:00:29.060And today we have reached chapter three in1100:00:29.060 --> 00:00:29.540book four.1200:00:29.740 --> 00:00:31.560So that's halfway through The Two Towers.1300:00:31.860 --> 00:00:35.420And this chapter is called The Black Gate1400:00:35.420 --> 00:00:36.920Is Closed.1500:00:37.620 --> 00:00:39.700So that really tells you what's going on1600:00:39.700 --> 00:00:40.460in this chapter.1700:00:40.800 --> 00:00:43.540And I was thinking about what is in1800:00:43.540 --> 00:00:46.160fact a relatively short chapter by the standard1900:00:46.160 --> 00:00:48.860of the other ones in this book, that2000:00:48.860 --> 00:00:53.300in terms of its structure, it really is2100:00:53.300 --> 00:00:57.980hinged around a decision or it leads up2200:00:57.980 --> 00:00:59.020in fact to a decision.2300:00:59.820 --> 00:01:02.500So it's not a complicated one.2400:01:02.660 --> 00:01:06.740They arrive, they discuss, Frodo has a decision2500:01:06.740 --> 00:01:09.460to make and that is the structure of2600:01:09.460 --> 00:01:10.000the chapter.2700:01:10.980 --> 00:01:13.980And it's interesting that Tolkien wanted to separate2800:01:13.980 --> 00:01:17.780it out from the previous material, crossing the2900:01:17.780 --> 00:01:20.360marshes and the material to come, which is3000:01:20.360 --> 00:01:23.940when they head off into Ithilien, because it3100:01:23.940 --> 00:01:26.640is one of those moments on which the3200:01:26.640 --> 00:01:30.520quest hangs on the decision of a individual.3300:01:31.360 --> 00:01:33.340And so he is highlighting that in the3400:01:33.340 --> 00:01:34.220choice of structure.3500:01:34.320 --> 00:01:35.560So when you think about this as an3600:01:35.560 --> 00:01:39.300author, remember the power of your divisions that3700:01:39.300 --> 00:01:39.980you can do that.3800:01:40.060 --> 00:01:42.680You can put something in a separate package3900:01:42.680 --> 00:01:44.200so people really focus on it.4000:01:44.740 --> 00:01:47.120Okay, so let's think about this chapter and4100:01:47.120 --> 00:01:49.200the decision that Frodo is taking.4200:01:49.920 --> 00:01:53.100He is actually one of those chapters that4300:01:53.100 --> 00:01:55.420starts with a fairly shocking and a bit4400:01:55.420 --> 00:01:58.820misleading first line, because the first line is,4500:01:59.040 --> 00:02:02.480before the next day dawned, their journey to4600:02:02.480 --> 00:02:03.620Mordor was over.4700:02:04.680 --> 00:02:06.260And I've mentioned a couple of times that4800:02:06.260 --> 00:02:10.240in the original plan, as far as he4900:02:10.240 --> 00:02:12.840planned, Tolkien had thought he was getting near5000:02:12.840 --> 00:02:13.240the end.5100:02:14.060 --> 00:02:15.900And perhaps it was when he reached the5200:02:15.900 --> 00:02:17.760gates and thought, hang on a minute, it5300:02:17.760 --> 00:02:19.240really isn't going to be so easy that5400:02:19.240 --> 00:02:21.300you don't just walk into Mordor to borrow5500:02:21.300 --> 00:02:23.640the famous Boromir phrase.5600:02:24.640 --> 00:02:26.340It's got to be harder.5700:02:27.520 --> 00:02:32.260You don't want a story where the sequence5800:02:32.260 --> 00:02:33.620of events isn't earned.5900:02:33.780 --> 00:02:35.840So imagine an alternative where he thinks, okay,6000:02:35.860 --> 00:02:38.460we're at the gates, they're going to smuggle6100:02:38.460 --> 00:02:40.560themselves in on the end of a line6200:02:40.560 --> 00:02:45.140of marching soldiers or in a wagon, pretending6300:02:45.140 --> 00:02:46.300to be a barrel of something.6400:02:46.680 --> 00:02:50.120He possibly ran all these different scenarios in6500:02:50.120 --> 00:02:50.480his mind.6600:02:50.880 --> 00:02:53.420If we're going to believe that the bad6700:02:53.420 --> 00:02:57.060guy, if the Dark Lord is all powerful,6800:02:57.200 --> 00:02:59.140it's got to be hard to get close.6900:02:59.560 --> 00:03:01.160It's got to be hard to get into7000:03:01.160 --> 00:03:01.720his land.7100:03:02.580 --> 00:03:05.660If his world is too porous, then he's7200:03:05.660 --> 00:03:06.780not much of a threat, is he?7300:03:08.300 --> 00:03:12.180So the passage after that gives you a7400:03:12.180 --> 00:03:13.460new piece of orientation.7500:03:13.760 --> 00:03:17.920Tolkien's very good in setting up this imaginary7600:03:17.920 --> 00:03:19.180landscape for us.7700:03:19.280 --> 00:03:20.620And this is the first time we've got7800:03:20.620 --> 00:03:22.280close to Mordor.7900:03:22.680 --> 00:03:26.100So he tells us of the main ranges8000:03:26.100 --> 00:03:27.180of mountains.8100:03:27.760 --> 00:03:33.580He is using words that describe them based8200:03:33.580 --> 00:03:36.880in Elvish, and they have a meaning for8300:03:36.880 --> 00:03:37.160him.8400:03:37.560 --> 00:03:39.660But what I find interesting is that he8500:03:39.660 --> 00:03:42.180doesn't tell us the meaning, but he does8600:03:42.180 --> 00:03:45.300gloss it by the descriptors just in front8700:03:45.940 --> 00:03:46.900of each of them.8800:03:47.380 --> 00:03:51.480So he talks about the gloomy range of8900:03:51.480 --> 00:03:54.020Efel Duath, the Mountains of Shadow.9000:03:54.440 --> 00:03:56.020So he does translate that.9100:03:56.520 --> 00:03:58.660But then he goes on to talk about9200:03:58.660 --> 00:04:03.580Ered Lithwi, Grey's Ash, and the Elven Sindarin,9300:04:03.680 --> 00:04:04.220I think it is.9400:04:04.620 --> 00:04:07.940I'm not great on Elvish, is the idea9500:04:07.940 --> 00:04:08.520of ash.9600:04:09.120 --> 00:04:11.360And then you go inside into places like9700:04:11.360 --> 00:04:14.400the Sea of Núrnirn, that holds its idea9800:04:14.400 --> 00:04:15.380of sad or bitterness.9900:04:15.700 --> 00:04:19.339So he's not wanting to keep stop the10000:04:19.339 --> 00:04:21.520action to give you his clever language glosses.10100:04:21.560 --> 00:04:22.920He puts it there in the description.10200:04:23.220 --> 00:04:24.780So you understand the context.10300:04:24.920 --> 00:04:28.000So we now know, we get to understand10400:04:28.000 --> 00:04:29.920there are some roots of Elvish, which we10500:04:29.920 --> 00:04:30.920see again and again.10600:04:31.640 --> 00:04:32.620And so we can probably do a bit10700:04:32.620 --> 00:04:33.580of guessing ourselves.10800:04:34.840 --> 00:04:37.280And that is important because we're going to10900:04:37.280 --> 00:04:39.860come towards the end of the chapter where11000:04:39.860 --> 00:04:44.380an hidden name is actually a massive clue11100:04:44.380 --> 00:04:46.960as to what they're going to face next.11200:04:48.640 --> 00:04:50.960One of the interesting things about Tolkien in11300:04:50.960 --> 00:04:55.920his imagination is his belief that evil is11400:04:56.380 --> 00:04:58.060a corruption of the good.11500:04:58.680 --> 00:05:00.060And you see that in such things like11600:05:00.060 --> 00:05:00.940the Orc Race.11700:05:02.200 --> 00:05:04.180But you get it here in terms of11800:05:04.180 --> 00:05:06.400the buildings that edge Mordor.11900:05:07.000 --> 00:05:09.860I'm only aware really of there being one12000:05:09.860 --> 00:05:13.260structure other than Rhodes in Mordor, which is12100:05:13.260 --> 00:05:15.540built by the Dark Lord, which is Barad12200:05:15.540 --> 00:05:15.780-dûr.12300:05:16.520 --> 00:05:20.620But all the other towers are based on12400:05:20.620 --> 00:05:22.920Númenórean buildings, which were put there to keep12500:05:22.920 --> 00:05:27.560watch and were then overrun and turned to12600:05:27.560 --> 00:05:28.460evil purposes.12700:05:29.180 --> 00:05:31.240So what was a defensive move becomes a12800:05:32.060 --> 00:05:33.220flipped over.12900:05:34.480 --> 00:05:35.920And that sort of goes with the philosophy13000:05:35.920 --> 00:05:37.820about where evil comes from.13100:05:38.640 --> 00:05:43.000It creates little, but corrupts a lot.13200:05:44.560 --> 00:05:48.840And the descriptors here reinforce that with some13300:05:48.840 --> 00:05:51.880telling phrases like, none could pass the teeth13400:05:51.880 --> 00:05:54.140of Mordor and not feel their bite.13500:05:54.960 --> 00:05:58.580So the landscape is almost a character here,13600:05:58.660 --> 00:06:01.200as very often it is in Tolkien.13700:06:02.420 --> 00:06:03.740It reminds me quite a lot of the13800:06:03.740 --> 00:06:05.620Cold War, the way this is described.13900:06:07.440 --> 00:06:09.760Some people listening to this will perhaps not14000:06:09.760 --> 00:06:12.100remember that, but there was a sense of14100:06:12.100 --> 00:06:17.760a line across Europe with these security guards14200:06:17.760 --> 00:06:21.300on the borders, but the Berlin Wall was14300:06:21.300 --> 00:06:23.300being constructed in the 50s.14400:06:23.420 --> 00:06:26.960So perhaps that's not the right comparison, but14500:06:26.960 --> 00:06:28.920certainly by the time I was reading it,14600:06:29.240 --> 00:06:30.640that was the kind of thing I was14700:06:30.640 --> 00:06:36.080thinking of, that dangerous space in Berlin between14800:06:36.080 --> 00:06:38.040East and West where people would get shot14900:06:38.040 --> 00:06:38.920trying to get across.15000:06:39.020 --> 00:06:43.720It's that feeling of the landscape separating sides15100:06:43.720 --> 00:06:45.960that he captures very well here.15200:06:46.540 --> 00:06:49.860Full of grim, but great detail.15300:06:50.500 --> 00:06:52.500There's a moment when you get a brass15400:06:52.500 --> 00:06:56.160fanfare and he sums it up like this.15500:06:56.300 --> 00:06:59.600Another dreadful day of fear and toil had15600:06:59.600 --> 00:07:02.600come to Mordor and the night guards were15700:07:02.600 --> 00:07:06.020summoned to their dungeons and deep halls and15800:07:06.020 --> 00:07:09.340the day guards, evil-eyed and fell, were15900:07:09.340 --> 00:07:10.900marching to their posts.16000:07:11.220 --> 00:07:13.580So he gives you this sense of a16100:07:13.580 --> 00:07:21.560well-regulated, militaristic, oppressive world which keeps on16200:07:21.560 --> 00:07:24.160ticking over every day, every dreadful day.16300:07:25.640 --> 00:07:28.800So once he's painted that, we get, of16400:07:28.800 --> 00:07:31.600course, a little bit of shire grounding where16500:07:31.600 --> 00:07:34.880Sam is saying well, if the gaffer could16600:07:34.880 --> 00:07:37.220see me now, he'd say I told you16700:07:37.220 --> 00:07:37.640so.16800:07:38.760 --> 00:07:40.060And it does feel as though they've come16900:07:40.060 --> 00:07:40.720to a dead end.17000:07:40.800 --> 00:07:41.820So what are they going to do?17100:07:41.880 --> 00:07:47.120They're in an impasse and Frodo, he refuses17200:07:47.120 --> 00:07:54.520really to accept Gollum's view that obviously they17300:07:54.520 --> 00:07:55.340can't go any further.17400:07:56.160 --> 00:07:58.200And this is where Frodo is, in some17500:07:58.200 --> 00:08:02.440ways, that he's very, he's most heroic.17600:08:03.460 --> 00:08:06.520And his face was grim and set, but17700:08:06.520 --> 00:08:07.140resolute.17800:08:07.760 --> 00:08:09.540And he follows simple logic.17900:08:09.920 --> 00:08:11.400I know no other way.18000:08:12.020 --> 00:08:14.620Every time I read this, I ask myself18100:08:14.620 --> 00:08:17.440a question that Tolkien raises later in this18200:08:17.440 --> 00:08:20.480chapter, which is, we never do find out18300:08:20.480 --> 00:08:23.940what other way Gandalf might have planned.18400:08:25.320 --> 00:08:29.360There is no, because he's shocked when he18500:08:29.360 --> 00:08:32.880hears about going through Cirith Ungol.18600:08:33.460 --> 00:08:34.659So what other way was there?18700:08:35.940 --> 00:08:37.419I don't know that he ever answers it.18800:08:37.659 --> 00:08:40.039Maybe Gandalf never actually, in terms of the18900:08:40.039 --> 00:08:41.700plot, Gandalf never has to say, oh well,19000:08:41.720 --> 00:08:43.920if you followed my plan, I'd have gone19100:08:43.920 --> 00:08:44.480around the back.19200:08:45.080 --> 00:08:46.760It doesn't seem as though there's an easy19300:08:46.760 --> 00:08:47.160answer.19400:08:47.360 --> 00:08:48.780So Frodo's quite right.19500:08:48.960 --> 00:08:49.940I know no other way.19600:08:51.380 --> 00:08:53.320And this actually prompts what I think is19700:08:53.320 --> 00:08:58.120probably the best summary of the threat that19800:08:58.120 --> 00:08:59.940Sauron poses.19900:09:00.200 --> 00:09:02.800And surprisingly, it's actually from Gollum that this20000:09:02.800 --> 00:09:03.320comes.20100:09:04.220 --> 00:09:07.400He says, if the Dark Lord gets the20200:09:07.400 --> 00:09:10.540ring, he'll eat us all, if he gets20300:09:10.540 --> 00:09:12.920it, eat all the world.20400:09:13.920 --> 00:09:18.160So he wants to consume and destroy.20500:09:18.640 --> 00:09:19.860And I think it's very vivid.20600:09:20.160 --> 00:09:21.880And it's simple words, simple stakes.20700:09:23.160 --> 00:09:25.260And then you get the little phrase, which20800:09:25.260 --> 00:09:29.640is let past to start, but comes back20900:09:29.640 --> 00:09:29.940again.21000:09:30.340 --> 00:09:32.600He says, give it, meaning the ring, back21100:09:32.600 --> 00:09:33.560to Smeagol.21200:09:34.560 --> 00:09:36.340So what is going on in this?21300:09:36.520 --> 00:09:40.460I don't know, but I'm wondering if Tolkien21400:09:40.460 --> 00:09:42.740actually knew what was going to happen.21500:09:43.320 --> 00:09:47.200Sometimes as a writer, if you don't plan,21600:09:49.530 --> 00:09:51.290I mean, I expect Tolkien knew the ring21700:09:51.290 --> 00:09:52.330was going to go into the fire.21800:09:52.450 --> 00:09:54.090He had a sense of where his ending21900:09:54.090 --> 00:09:56.170was going, but he didn't know the route22000:09:56.170 --> 00:09:56.670to get there.22100:09:58.170 --> 00:09:59.810And he's probably reached a point here.22200:09:59.910 --> 00:10:04.030I feel he's reached a point that he22300:10:04.030 --> 00:10:05.610has written himself to the edge of what22400:10:05.610 --> 00:10:06.170he knows.22500:10:06.670 --> 00:10:08.670Philip Pullman has a phrase about writing into22600:10:08.670 --> 00:10:09.150the dark.22700:10:09.270 --> 00:10:10.670He's in one of those dark moments.22800:10:10.770 --> 00:10:12.250He doesn't know the next steps.22900:10:13.150 --> 00:10:15.050So I get the sense that this debate23000:10:15.050 --> 00:10:16.970is almost a debate he's having with himself.23100:10:16.970 --> 00:10:20.710He's hoping the characters will show him a23200:10:20.710 --> 00:10:21.570way out of it.23300:10:22.170 --> 00:10:22.790That's my guess.23400:10:22.870 --> 00:10:26.470That's what I feel myself when I write23500:10:26.470 --> 00:10:28.130things, that I meet these moments.23600:10:28.230 --> 00:10:29.250And this is what I feel here.23700:10:30.090 --> 00:10:32.810There are obviously earlier versions of this in23800:10:32.810 --> 00:10:35.130the papers, but I think that it still23900:10:35.130 --> 00:10:37.210holds true that when the first drafting of24000:10:37.210 --> 00:10:40.090this, he was looking for that chink of24100:10:40.090 --> 00:10:41.610light that would show him a way forward.24200:10:43.090 --> 00:10:44.650Frodo is the person who is kind of24300:10:44.650 --> 00:10:46.990representing the stuck author, shall we say.24400:10:47.270 --> 00:10:49.330He's saying what comes after must come.24500:10:50.270 --> 00:10:52.590I'm going to go ahead, whatever happens.24600:10:53.850 --> 00:10:58.170Sam is showing his own heroics by saying24700:10:58.170 --> 00:11:01.530that whatever happens, he's not going to go24800:11:01.530 --> 00:11:01.890alone.24900:11:03.210 --> 00:11:06.590And within this little group of three, Tolkien25000:11:06.590 --> 00:11:09.070comes to the realisation that if anyone is25100:11:09.070 --> 00:11:10.630going to come up with an alternative, it25200:11:10.630 --> 00:11:12.730will have to be Smeagol, Gollum.25300:11:13.430 --> 00:11:15.710And he's hinted at it already, of course,25400:11:16.270 --> 00:11:19.030when he talked about maybe she will help,25500:11:20.010 --> 00:11:22.150which had come in the previous chapter.25600:11:22.870 --> 00:11:24.270And he is the one who has the25700:11:24.270 --> 00:11:24.710alternative.25800:11:25.310 --> 00:11:27.110That is logical, isn't it?25900:11:27.170 --> 00:11:30.630Because Smeagol has come out of Mordor, so26000:11:30.630 --> 00:11:33.030he will know a way back in.26100:11:33.170 --> 00:11:35.950So he provides the answer.26200:11:36.650 --> 00:11:38.510And that's very often when you're writing, you'll26300:11:38.510 --> 00:11:40.570find that the answer is there amongst the26400:11:40.570 --> 00:11:41.930elements you've already assembled.26500:11:42.090 --> 00:11:43.730You just need to work out which one26600:11:43.730 --> 00:11:45.410it is, which of the clues it is,26700:11:45.910 --> 00:11:48.050or which thread it is that you tug26800:11:48.050 --> 00:11:50.870that will release that particularly knotted point of26900:11:50.870 --> 00:11:51.290the plot.27000:11:53.090 --> 00:11:55.330The points of view that you get in27100:11:55.330 --> 00:11:59.950this chapter are fascinating because you've got largely27200:11:59.950 --> 00:12:03.530Sam, you get a bit of Frodo, and27300:12:03.530 --> 00:12:04.730you get a bit of the narrator.27400:12:05.830 --> 00:12:09.250And Sam is interesting here because he is27500:12:09.250 --> 00:12:15.750getting to understand what Tolkien puts down as27600:12:15.750 --> 00:12:17.210a slow but shrewd mind.27700:12:17.810 --> 00:12:20.650He understands the two halves of Gollum and27800:12:20.650 --> 00:12:22.470Smeagol, slinker and stinker.27900:12:22.970 --> 00:12:26.590And he realises, having heard that discussion, he's28000:12:26.590 --> 00:12:29.970the one who knows that Gollum's already been28100:12:29.970 --> 00:12:33.730plotting, that the two halves have reached a28200:12:33.730 --> 00:12:35.910truce and a temporary alliance.28300:12:38.410 --> 00:12:42.390But what's really fascinating is the danger there,28400:12:42.750 --> 00:12:44.170if you think, oh, well, Sam knows what's28500:12:44.170 --> 00:12:47.070going on, it would make Frodo look a28600:12:47.070 --> 00:12:49.510bit of an idiot in contrast.28700:12:50.130 --> 00:12:52.550And Tolkien's very clear that that's not the28800:12:52.550 --> 00:12:52.930case.28900:12:53.770 --> 00:13:00.930In fact, he underlines that Frodo is the29000:13:00.930 --> 00:13:04.710officer in this little squad trying to invade29100:13:04.710 --> 00:13:05.650Mordor.29200:13:06.570 --> 00:13:07.610And so he goes to the edge of29300:13:07.610 --> 00:13:10.810the little cleft where they're hiding out, the29400:13:10.810 --> 00:13:13.270dell, and he's granted a kind of vision29500:13:13.270 --> 00:13:16.010of the state of affairs, seeing the movements29600:13:16.010 --> 00:13:16.690of peoples.29700:13:17.850 --> 00:13:21.110And he sees it's not the armies of29800:13:21.110 --> 00:13:23.830Gondor arriving, but it's further allies for the29900:13:23.830 --> 00:13:24.510Dark Lord.30000:13:25.590 --> 00:13:28.210So knowing that, knowing there is no easy30100:13:28.210 --> 00:13:30.650way in, of course, he didn't expect there30200:13:30.650 --> 00:13:34.790to be, he takes the first step in30300:13:34.790 --> 00:13:38.430his decision, which is saying, Smeagol, I will30400:13:38.430 --> 00:13:39.790trust you once more.30500:13:40.690 --> 00:13:42.630And he goes on with this phrase, may30600:13:42.630 --> 00:13:44.370the third time prove the best.30700:13:45.570 --> 00:13:49.530The companion to Lord of the Rings points30800:13:49.530 --> 00:13:51.810out that this is an old adage, which30900:13:51.810 --> 00:13:53.950you find in things like Sir Gawain in31000:13:53.950 --> 00:13:54.650the Green Knight.31100:13:54.950 --> 00:13:57.030Sir Gawain in the Green Knight, the test31200:13:57.030 --> 00:14:00.150of Sir Gawain is the rule of three.31300:14:00.450 --> 00:14:03.550It's three times he has to pass the31400:14:03.550 --> 00:14:03.890test.31500:14:04.890 --> 00:14:06.630And it is actually a rule of narrative31600:14:06.630 --> 00:14:07.570three times.31700:14:08.750 --> 00:14:11.330That if you're wondering how many times you31800:14:11.330 --> 00:14:13.650attempt something, twice that fail and once they31900:14:13.650 --> 00:14:16.110succeed, it seems to be a pattern which32000:14:16.110 --> 00:14:17.770our storytelling brain likes.32100:14:18.230 --> 00:14:20.630But anyway, that has become a sort of32200:14:20.630 --> 00:14:24.030saying, and Frodo is using it here.32300:14:25.270 --> 00:14:30.610Because they have, it's not that Gollum has32400:14:30.610 --> 00:14:34.170failed them twice, it's more that they have32500:14:34.170 --> 00:14:36.550trusted him in small ways twice and he's32600:14:36.550 --> 00:14:37.290not failed them.32700:14:37.810 --> 00:14:41.390So this big gesture of trust is the32800:14:41.390 --> 00:14:43.870moment when, may it prove the best, that's32900:14:43.870 --> 00:14:44.730what's going on here.33000:14:46.350 --> 00:14:49.870But Frodo goes on, because occasionally there are33100:14:49.870 --> 00:14:52.310these prophetic moments in Lord of the Rings,33200:14:52.750 --> 00:14:55.510the sense that this world does have a33300:14:56.570 --> 00:15:00.190direction, a shape, a guiding hand.33400:15:00.290 --> 00:15:02.350And sometimes it's the insight of a character33500:15:02.350 --> 00:15:03.790that points the way.33600:15:04.330 --> 00:15:08.810Aron's done this, Galadriel's done this, Gandalf's done33700:15:08.810 --> 00:15:10.230this, and Frodo does too.33800:15:10.810 --> 00:15:16.510Because he warns Gollum that he, Gollum, is33900:15:16.510 --> 00:15:17.650the one most at risk.34000:15:18.190 --> 00:15:20.890Because the desire of it, that being the34100:15:20.890 --> 00:15:23.850ring, may betray you to a bitter end.34200:15:25.530 --> 00:15:28.890And the conclusion there, it's a kind of34300:15:28.890 --> 00:15:30.430mixture of Sam's point of view and the34400:15:30.430 --> 00:15:30.810narrator.34500:15:31.030 --> 00:15:34.490Sam is approving of Frodo's sternness.34600:15:35.610 --> 00:15:39.690And there's a sort of overall conclusion reached34700:15:39.690 --> 00:15:44.410at this point, to help us see Frodo34800:15:44.410 --> 00:15:50.350as this noble, heroic figure, which not to34900:15:50.350 --> 00:15:52.930mistake his kindness as softness.35000:15:53.750 --> 00:15:57.770Kindness is not blindness, is what's put here.35100:15:58.370 --> 00:16:00.990And I think one of the things that35200:16:00.990 --> 00:16:02.930the film did as a disservice to the35300:16:02.930 --> 00:16:05.810Frodo character is by casting it so young,35400:16:05.990 --> 00:16:09.650you miss out on this mature Frodo taking35500:16:09.650 --> 00:16:10.590the decisions.35600:16:11.030 --> 00:16:13.470Because of course, the Elijah Wood version of35700:16:13.470 --> 00:16:15.190this seems so incredibly young.35800:16:16.290 --> 00:16:18.350You don't get that sense of leadership.35900:16:18.710 --> 00:16:22.770And it's good to do that reset in36000:16:22.770 --> 00:16:24.530the brain to think about Frodo and its36100:16:24.530 --> 00:16:26.530character, how far he has to fall with36200:16:26.530 --> 00:16:31.090the ring from this authority, the wisdom that36300:16:31.090 --> 00:16:31.610he has.36400:16:31.850 --> 00:16:33.830There's a sense of his maturity and wisdom36500:16:33.830 --> 00:16:35.110here in these moments.36600:16:38.110 --> 00:16:40.830So Gollum is given a chance to sort36700:16:40.830 --> 00:16:42.390of make his case for what they should36800:16:42.390 --> 00:16:42.810be doing.36900:16:43.650 --> 00:16:47.870And he has this connection back to the37000:16:47.870 --> 00:16:50.610tales he was told as a young proto37100:16:50.610 --> 00:16:54.230-hobbit, or when he was in the Smeagol37200:16:54.230 --> 00:16:56.250and Deagol phrases of his life, with tales37300:16:56.250 --> 00:16:57.250out of the south.37400:16:58.030 --> 00:17:01.710And it's an interesting way to restate the37500:17:01.710 --> 00:17:03.950history of Numenor, which we may have forgotten37600:17:03.950 --> 00:17:07.150by this point, because the early discussion of37700:17:07.150 --> 00:17:08.910that was way back in Fellowship of the37800:17:08.910 --> 00:17:11.089Ring with Aragorn on the road.37900:17:12.650 --> 00:17:15.950In fact, before that, it was with Tom38000:17:15.950 --> 00:17:17.230Bombadil, wasn't it?38100:17:17.569 --> 00:17:21.349But here, it's just summarized again, and it's38200:17:21.349 --> 00:17:25.630necessary to summarize it because Gollum is giving38300:17:25.630 --> 00:17:27.270the context that he's describing.38400:17:28.170 --> 00:17:30.890But it's one of those passages that does38500:17:30.890 --> 00:17:31.630lots of jobs.38600:17:31.830 --> 00:17:35.130It reminds us, it lays out the land,38700:17:35.570 --> 00:17:37.870gives us the historical perspective.38800:17:39.170 --> 00:17:41.730And it also introduces the idea of the38900:17:41.730 --> 00:17:45.230fall of the Dark Lord, Sauron.39000:17:45.890 --> 00:17:48.750And there's this mention of when he lost39100:17:48.750 --> 00:17:52.270the ring, and Gollum says about there being39200:17:52.270 --> 00:17:55.650only four fingers on the black hand.39300:17:57.880 --> 00:17:59.120This is interesting, isn't it?39400:17:59.140 --> 00:18:03.100Because he's kind of disembodied in the eye,39500:18:03.960 --> 00:18:06.660but yet he's seen in the palantir.39600:18:07.540 --> 00:18:10.320It's possibly a case where, a bit like39700:18:10.320 --> 00:18:13.460the Black Riders, where the shape is clothed39800:18:13.460 --> 00:18:16.080in things like robes and gloves.39900:18:17.300 --> 00:18:19.000But anyway, so it suggests that Sauron does40000:18:19.000 --> 00:18:20.640have a physical body as well as that40100:18:20.640 --> 00:18:20.860eye.40200:18:21.200 --> 00:18:23.140Never quite worked that out in my mind.40300:18:23.560 --> 00:18:24.800If you know a bit more, let me40400:18:24.800 --> 00:18:26.060know what you think the answer to that40500:18:26.060 --> 00:18:26.300is.40600:18:28.000 --> 00:18:32.300And then follows a argument mainly between Sam40700:18:32.300 --> 00:18:32.900and Gollum.40800:18:33.480 --> 00:18:35.100And what I think is interesting here is40900:18:35.100 --> 00:18:37.600that you can tell that everybody is frustrated.41000:18:37.840 --> 00:18:42.940None of them want to do this, but41100:18:42.940 --> 00:18:46.800all of them have to.41200:18:48.080 --> 00:18:50.400Frodo because of his promise, Sam because of41300:18:50.400 --> 00:18:53.180his loyalty, and Gollum because of his promise41400:18:53.180 --> 00:18:54.800to Frodo.41500:18:56.660 --> 00:18:58.960So one of the things to learn as41600:18:58.960 --> 00:19:01.840an author is that sometimes what people are41700:19:01.840 --> 00:19:05.120really feeling can be displaced into something that41800:19:05.120 --> 00:19:06.580isn't directly about that.41900:19:06.800 --> 00:19:09.780So rather than say, Sam was really miffed42000:19:09.780 --> 00:19:12.300about it, you actually do it through how42100:19:12.300 --> 00:19:13.760he's reacting in this argument.42200:19:14.360 --> 00:19:16.440You very clearly get a sense of where42300:19:16.440 --> 00:19:20.040they all stand on their current situation, because42400:19:20.040 --> 00:19:21.620they're so tetchy, so grumpy.42500:19:22.180 --> 00:19:27.240So Sam recognises he's not being fair to42600:19:27.240 --> 00:19:27.500Gollum.42700:19:27.740 --> 00:19:29.440Why did you bring us this way then?42800:19:29.900 --> 00:19:32.680It wasn't Gollum's fault, but he feels that.42900:19:35.070 --> 00:19:36.730And he's also pushing back.43000:19:36.810 --> 00:19:37.970There is no easy answer.43100:19:38.050 --> 00:19:40.090But he's saying even the answer that Gollum43200:19:40.090 --> 00:19:41.590is giving sounds too easy.43300:19:41.930 --> 00:19:42.770He's correct.43400:19:43.050 --> 00:19:43.970Of course he's correct.43500:19:44.550 --> 00:19:46.750But then what are they supposed to do?43600:19:47.730 --> 00:19:49.370But we get the hints that all is43700:19:49.370 --> 00:19:49.730not well.43800:19:49.830 --> 00:19:54.090Remember in the previous chapter, Sam had noticed43900:19:54.090 --> 00:19:55.390the green and the pale light.44000:19:55.510 --> 00:19:58.190We get a glimpse of the green gleam44100:19:58.190 --> 00:20:01.970when the question is asked, is it guarded?44200:20:03.390 --> 00:20:06.030And a second reading, exactly why the green44300:20:06.030 --> 00:20:06.810gleam is flashing.44400:20:07.270 --> 00:20:09.670But first reading, we're thinking that's a danger44500:20:09.670 --> 00:20:10.070sign.44600:20:10.410 --> 00:20:11.850There is some kind of guard there.44700:20:13.470 --> 00:20:17.010And Gollum also shows here, in another foreshadowing44800:20:17.010 --> 00:20:20.010of what later happens, is how he twists44900:20:20.010 --> 00:20:22.530an order to suit his purposes.45000:20:22.790 --> 00:20:26.110Another reason to distrust him, of course, which45100:20:26.110 --> 00:20:28.230both Frodo and Sam are well aware of.45200:20:28.730 --> 00:20:31.010Because he says he was given an order45300:20:31.010 --> 00:20:34.530when he left Mordor to seek the precious.45400:20:35.830 --> 00:20:37.430But he goes on to say, but not45500:20:37.430 --> 00:20:38.190for the black one.45600:20:38.530 --> 00:20:40.090I didn't do it for him.45700:20:40.730 --> 00:20:43.210So we see how he can take the45800:20:43.210 --> 00:20:45.570words and twist them to his own purposes.45900:20:48.600 --> 00:20:50.340So Frodo, of course, is in this invidious46000:20:50.340 --> 00:20:52.260position where he's well aware of all these46100:20:52.260 --> 00:20:55.620doubts, but he's still got to make a46200:20:55.620 --> 00:20:56.000decision.46300:20:56.220 --> 00:20:57.800And there's a good summing up of this,46400:20:59.380 --> 00:21:00.900which lays this all out.46500:21:01.000 --> 00:21:02.540I'll read it because it's worth.46600:21:03.620 --> 00:21:06.180This is what the action is in the46700:21:06.180 --> 00:21:06.480chapter.46800:21:06.700 --> 00:21:11.620It's the decision that comes after realising all46900:21:11.620 --> 00:21:13.560of the uncertainties facing him.47000:21:14.580 --> 00:21:16.860Frodo felt a strange certainty that in this47100:21:16.860 --> 00:21:19.540matter, Gollum was for once not so far47200:21:19.540 --> 00:21:22.500from the truth as might be suspected, that47300:21:22.500 --> 00:21:24.760he had somehow found a way out of47400:21:24.760 --> 00:21:27.300Mordor, and at least believed that it was47500:21:27.300 --> 00:21:28.480by his own cunning.47600:21:29.300 --> 00:21:31.440For one thing, he noted that Gollum used47700:21:31.440 --> 00:21:34.180I, and that seemed usually to be a47800:21:34.180 --> 00:21:37.220sign on its rare appearances, that some remnants47900:21:37.220 --> 00:21:40.140of old truth and sincerity were for the48000:21:40.140 --> 00:21:40.940moment on top.48100:21:41.580 --> 00:21:43.480But even if Gollum could be trusted on48200:21:43.480 --> 00:21:46.500this point, Frodo did not forget the wiles48300:21:46.500 --> 00:21:47.300of the enemy.48400:21:48.100 --> 00:21:51.580The escape may have been allowed or arranged,48500:21:52.220 --> 00:21:54.060and well known in the Dark Tower.48600:21:54.820 --> 00:21:57.640And in any case, Gollum was plainly keeping48700:21:57.640 --> 00:21:59.000a good deal back.48800:21:59.520 --> 00:22:00.900This is where the book feels more like48900:22:00.900 --> 00:22:04.020a spy thriller, a kind of John le49000:22:04.020 --> 00:22:05.340Carré almost.49100:22:06.480 --> 00:22:09.020If you think of Gollum, he is a49200:22:09.020 --> 00:22:11.860spy, but which side is he working on?49300:22:12.540 --> 00:22:15.780Does he know the full agenda that his49400:22:15.780 --> 00:22:18.900masters has for him, knowing what he might49500:22:18.900 --> 00:22:19.300do?49600:22:20.240 --> 00:22:27.500So it's a fascinating psychology, involving both Frodo49700:22:27.500 --> 00:22:30.920analysing how to trust or not trust what49800:22:30.920 --> 00:22:34.200Gollum says, plus what Gollum knows and what49900:22:34.200 --> 00:22:35.560he doesn't know and what he's hiding.50000:22:39.530 --> 00:22:43.910So when they push Gollum, he does not50100:22:43.910 --> 00:22:45.170name Cirith Ungol.50200:22:45.510 --> 00:22:49.710The translation of Cirith Ungol is Spider Cleft,50300:22:50.270 --> 00:22:54.730but the narrator does gloss that for us.50400:22:56.010 --> 00:22:58.370And it's notable that at this moment when50500:22:58.370 --> 00:23:01.810the narrator is stepping in, so the Hobbits50600:23:01.810 --> 00:23:04.490writing about this in the future, of course,50700:23:04.550 --> 00:23:08.130is one of the explanations for this backward50800:23:08.130 --> 00:23:13.810looking explanation, is a moment to connect it50900:23:13.810 --> 00:23:16.250to the other narrative which we've just left.51000:23:16.810 --> 00:23:18.930And it's the one moment in this chapter51100:23:18.930 --> 00:23:22.050where Gandalf is most present.51200:23:22.610 --> 00:23:25.610Frodo doesn't know Gandalf has survived, but we're51300:23:25.610 --> 00:23:29.630connected here to the moment when the Palantir51400:23:29.630 --> 00:23:33.750is thrown out of the of Orthanc.51500:23:35.030 --> 00:23:39.930So here, again, it's these moments where if51600:23:39.930 --> 00:23:41.790you unpack it, you're doing lots of things.51700:23:41.930 --> 00:23:43.630You're saying, this is where we are in51800:23:43.630 --> 00:23:44.490the two narratives.51900:23:44.790 --> 00:23:46.550That's how far those lot have got.52000:23:47.410 --> 00:23:49.130This is what's at stake over there.52100:23:49.670 --> 00:23:52.010But they are, in terms of Gandalf, always52200:23:52.010 --> 00:23:53.510thinking about Frodo.52300:23:55.150 --> 00:23:57.610And really Gandalf is very present in this52400:23:57.610 --> 00:24:00.070last section as Frodo makes up his mind.52500:24:01.030 --> 00:24:04.350Even with just a little dream he has52600:24:04.350 --> 00:24:07.070of him riding on an army of Oliphants,52700:24:07.210 --> 00:24:09.370he stays with Frodo.52800:24:10.750 --> 00:24:16.670And the narrator describes Gandalf thinking about Frodo52900:24:16.670 --> 00:24:19.630always with hope and pity, which are really53000:24:19.630 --> 00:24:23.610the chief values in Lord of the Rings.53100:24:23.990 --> 00:24:25.750Hope and pity and love, of course.53200:24:27.910 --> 00:24:30.130And then there's one of those beautiful little53300:24:30.130 --> 00:24:34.090sentences of the small person up against the53400:24:34.090 --> 00:24:34.750massive odds.53500:24:36.230 --> 00:24:38.730Frodo is fully aware of how inadequate he53600:24:38.730 --> 00:24:39.610is to the task.53700:24:40.570 --> 00:24:44.010When you have a hero, he shouldn't, well,53800:24:45.210 --> 00:24:46.730the ancient Greeks used to have people like53900:24:46.730 --> 00:24:47.150Hercules.54000:24:48.570 --> 00:24:51.430We have, I suppose, superheroes, but superheroes are54100:24:51.430 --> 00:24:53.350only interesting when there's kryptonite around.54200:24:53.890 --> 00:24:55.690There is no need for kryptonite with a54300:24:55.690 --> 00:24:58.830halfling because they've already got the odds set54400:24:58.830 --> 00:24:59.370against them.54500:24:59.470 --> 00:25:01.390We need to have a feeling that they54600:25:01.390 --> 00:25:02.590cannot do this easily.54700:25:03.950 --> 00:25:06.490And here he was, a little halfling from54800:25:06.490 --> 00:25:09.290the Shire, a simple hobbit of the quiet54900:25:09.290 --> 00:25:12.290countryside, expected to find a way where the55000:25:12.290 --> 00:25:15.670Great Ones could not go or dared not55100:25:15.670 --> 00:25:16.030go.55200:25:17.110 --> 00:25:22.330Remember, we're on the doorstep of Mordor, which55300:25:22.330 --> 00:25:25.870is where all that Aragorn can do in55400:25:25.870 --> 00:25:28.670a few weeks' time is march up blowing55500:25:28.670 --> 00:25:31.670his trumpets, pretending to attack one of the55600:25:31.670 --> 00:25:32.070Great Ones.55700:25:32.110 --> 00:25:33.010They can't get in.55800:25:33.090 --> 00:25:35.870It has to be the little person who55900:25:35.870 --> 00:25:36.230does.56000:25:38.290 --> 00:25:41.030And what we get as we run up56100:25:41.030 --> 00:25:45.900to this decision, which is the seesaw moment56200:25:45.900 --> 00:25:48.780in the adventure, we're going to go in56300:25:48.780 --> 00:25:50.240by the gate, we're going to try this56400:25:50.240 --> 00:25:54.120other way, and the decision is the action,56500:25:54.800 --> 00:25:58.600but we get a moment of prolonged stillness.56600:26:00.650 --> 00:26:04.430We get an overflight of an eagle looking56700:26:04.430 --> 00:26:07.750down, or an imagined eagle.56800:26:08.150 --> 00:26:11.230We see the characters from above, these small56900:26:11.230 --> 00:26:13.730characters hidden in the landscape.57000:26:15.790 --> 00:26:20.170And then following that, the Black Riders overfly57100:26:21.410 --> 00:26:22.650at altitude.57200:26:24.090 --> 00:26:26.210And the stillness is very powerful.57300:26:27.790 --> 00:26:32.450It's underlining that, it's like when you get57400:26:32.450 --> 00:26:36.430those talent shows, for example, where they're giving57500:26:36.430 --> 00:26:39.330a verdict and they run on with the57600:26:39.330 --> 00:26:41.690drumbeat saying, and the answer is, and that57700:26:41.690 --> 00:26:46.150keeps going, you suspend the decision point so57800:26:46.150 --> 00:26:47.250much to build the tension.57900:26:47.830 --> 00:26:49.730In a quieter way, this is what's going58000:26:49.730 --> 00:26:50.130here.58100:26:51.150 --> 00:26:52.790So again, when you're writing, if you've got58200:26:52.790 --> 00:26:55.370some moment where someone's declaring or deciding something,58300:26:55.490 --> 00:26:56.530don't rush your fence.58400:26:57.590 --> 00:26:59.390Spend the time to make it work.58500:27:00.710 --> 00:27:02.410And Frodo, in fact, has a couple of58600:27:02.410 --> 00:27:04.750things which helps him shift.58700:27:05.710 --> 00:27:07.510First is the arrival of the Men of58800:27:07.510 --> 00:27:07.950the South.58900:27:08.090 --> 00:27:11.590They are described very much like an Ottoman59000:27:11.590 --> 00:27:17.510army or a crusading, as in a Islamic59100:27:17.510 --> 00:27:22.330crusading army, how they would be described in59200:27:22.330 --> 00:27:25.610a medieval world or drawn in a medieval59300:27:25.610 --> 00:27:29.110manuscript with their gold rings and their dark59400:27:29.110 --> 00:27:33.610eyes and so on, and colourful, coming from59500:27:33.610 --> 00:27:34.190the South.59600:27:35.890 --> 00:27:38.410And adding to the idea of what it59700:27:38.410 --> 00:27:40.590seems as an exotic to the Northern kingdoms59800:27:40.590 --> 00:27:44.090is Sam's thought that, okay, if they're men59900:27:44.090 --> 00:27:46.230from the South, maybe they've got olyphants with60000:27:46.230 --> 00:27:46.410them.60100:27:46.810 --> 00:27:48.490Here we are very much in a medieval60200:27:48.490 --> 00:27:51.750world, because an olyphant is an old word60300:27:51.750 --> 00:27:52.570for an elephant.60400:27:54.050 --> 00:27:57.890Elephants appear in strange and wonderful forms in60500:27:57.890 --> 00:28:00.950medieval bestiaries, because people didn't know what they60600:28:00.950 --> 00:28:01.690actually were like.60700:28:02.290 --> 00:28:03.830And his poem reflects that.60800:28:04.030 --> 00:28:05.330It's the sort of, I haven't seen this60900:28:05.330 --> 00:28:06.630thing, but this is what I think they're61000:28:06.630 --> 00:28:10.590like, including such nonsense ideas that they never61100:28:10.590 --> 00:28:12.270lie on the ground or even to die.61200:28:12.590 --> 00:28:17.110It's that idea of the imperfect knowledge of61300:28:17.110 --> 00:28:18.810something you're hearing about in a kind of61400:28:18.810 --> 00:28:21.550Chinese whispers game, where it goes from person61500:28:21.550 --> 00:28:23.170to person, you never quite know.61600:28:24.650 --> 00:28:26.610And you see that Sam is curious.61700:28:26.810 --> 00:28:28.270He wants to know if there's an olyphant61800:28:28.270 --> 00:28:30.910and Gollum really isn't, that's another difference in61900:28:30.910 --> 00:28:31.490their character.62000:28:32.730 --> 00:28:36.170But Sam's openness and excitement about the world62100:28:36.170 --> 00:28:40.710and his recitation of what is a shyer62200:28:40.710 --> 00:28:45.070poem in this most unshyer-like, unfunny situation62300:28:45.070 --> 00:28:48.610is what prompts laughter and laughter is said,62400:28:48.710 --> 00:28:51.090it released him from his hesitation.62500:28:52.590 --> 00:28:55.270The shyer and Sam helps him make the62600:28:55.270 --> 00:28:55.670decision.62700:28:56.450 --> 00:28:58.650And he goes back to the idea, which62800:28:58.650 --> 00:29:01.230is how we started in this conversation, that62900:29:01.230 --> 00:29:06.930trusting Gollum for a third time will hopefully63000:29:06.930 --> 00:29:10.670produce the way into Mordor that he requires.63100:29:12.110 --> 00:29:14.050And Gollum gets the last word in this63200:29:14.050 --> 00:29:14.370chapter.63300:29:15.050 --> 00:29:18.410He says, soft and quick as shadows we63400:29:18.410 --> 00:29:19.190must be.63500:29:20.310 --> 00:29:23.530So it ends in uncertainty.63600:29:24.650 --> 00:29:27.270But we have moved on, we have made63700:29:27.270 --> 00:29:28.950the decision, we are progressing.63800:29:29.790 --> 00:29:33.270So we started having been told we arrive.63900:29:34.350 --> 00:29:36.330And now we've been told, actually, there's a64000:29:36.330 --> 00:29:39.850long way, not much further to go, because64100:29:39.850 --> 00:29:41.890the way is shut, you can't go in64200:29:41.890 --> 00:29:42.250that way.64300:29:43.450 --> 00:29:44.830And so the stillness is broken.64400:29:46.390 --> 00:29:49.890And they move on into one of my64500:29:49.890 --> 00:29:53.010favourite chapters, because they're going to reach Ithilien,64600:29:53.110 --> 00:29:55.570which is going to be a green breath64700:29:55.570 --> 00:29:58.350of fresh air after the dust and the64800:29:58.350 --> 00:30:00.690ashes and the marshes that we've been spending,64900:30:01.210 --> 00:30:03.490and the rocks that we spent the last65000:30:03.490 --> 00:30:06.330three chapters lingering in.65100:30:07.330 --> 00:30:08.790Thank you very much for listening.65200:30:13.610 --> 00:30:17.810Thanks for listening to MythMakers Podcast, brought to65300:30:17.810 --> 00:30:20.010you by the Oxford Centre for Fantasy.65400:30:20.750 --> 00:30:24.590Visit OxfordCentreForFantasy.org to join in the fun.65500:30:25.270 --> 00:30:28.170Find out about our online courses, in-person65600:30:28.170 --> 00:30:31.250stays in Oxford, plus visit our shop for65700:30:31.250 --> 00:30:32.230great gifts.65800:30:32.230 --> 00:30:35.590Tell a friend and subscribe wherever you find65900:30:35.590 --> 00:30:38.030your favourite podcasts worldwide.